I'm applying for a scholarship at Candler Theological... this is the essay that I came up with. Theological significance the film of Book of Eli. Good stuff. Enjoy.
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The idea of being “called” to a certain field or even a specific action by God pervades Christianity from ancient past to near future. From David and Goliath to the minister down the street it is a common thread in our faith. The discernment of a call and the idea that God wishes to have direct contact and a relationship with us permeates our culture and holds theological significance; in that, our understanding of Christ in this day and age is often based on that call. Our ability to communicate and relate to God’s will in our lives and have a relationship with God is often held up in the highest regard in modern religious understanding. The theme of God’s call presents itself in our modern culture through both literary and cinematic sources. The idea of the call appeared in mainstream media within the film Book of Eli, which presented us with several ways that God might work in our lives. In Book of Eli, the theological significance of God’s call is the underlying theme in his journey, which then evolves into a call for his compatriot Solara, and ends with the passage of that call to Solara as she continues the journey
The Book of Eli begins with a lone traveler who walks his path and his journey alone. He is hesitant to enter into conflict and yet, when he does, he fights with precision and skill hitting the mark without anger or revenge. Eli’s unabashed techniques and set direction can be paralleled to those in scripture. For example, David, when killing Goliath, swung one stone and hit his mark falling Goliath. Or like Joshua at the Battle of Jericho who brought down walls with trumpets just by following God’s plan. Eli’s path is solitary, and his purpose, even before the viewer knows his calling in the film, is set. Much like Jesus, Mohammed, or Buddha who all led relatively solitary journeys until they found disciples to take up their cause, Eli walks alone and with purpose. The parallel between him and the leaders of other religions sets the scene for a powerful message that clarifies how God can call his followers who are willing to listen.
If we are not able to hear God’s call then how could be called? In C.S. Lewis’ work The Silver Chair, Aslan says, “You would not have called to me unless I had been calling to you” (Lewis, 22). If we would not seek God’s purpose without first being called by God, then Eli’s understanding of that call becomes clarified. Over a campfire, hiding from their enemies Eli states to Solara that, “One day I heard a voice, its hard to explain but it was like it was coming from inside of me. But I could hear it as clear as I could hear you talking to me now.” He talks about “hearing” God in simple terms and in a simple way. He continues, “And the voice told me to carry the book out west. It told me the path would be laid out for me.” God sought Eli and Eli answered the call and headed west. Much like Samuel when he hears God’s voice, “The Lord came and stood there, calling as at the other times, ‘Samuel! Samuel!’ Then Samuel said, ‘Speak, for your servant is listening’” (1 Samuel 3:10). Just as Samuel understood the Lord’s voice and did not doubt so Eli understands his call and simply answered it through action. This film takes an ancient concept of hearing God’s call and clarifies it for a modern audience. It brings forth the idea that God’s voice is just as perceptible today as it was 3,000 years ago. Though it is perceptible to some in a moment, this call can also be perceptible within a process of their own.
Solara’s role in the film, for example, is about the presence of divine providence or a divine will for our lives. Her roll is about the development of a call rather than the moment of the call. Emmanuel Swedenborg, a 17th century philosopher states that, “it is a goal of divine providence that what has been broken apart should become a whole and therefore that the marriage of goodness and truth should be restored” (Swedenborg, 9). She does not know what calls Eli nor does she understand what that call is about. But she knows that her world is broken and she knows that it is complicated and convoluted. Eli, in comparison, is simple and “the truth is that the simpler and purer anything is the greater and fuller it is” (Swedenborg, 7). Solara follows this simple man regardless of her lack in understanding because he is pure and full and, though she does not understand the importance of the call, she is attracted to it nonetheless. Solara’s call did not come in a moment like Eli’s; her call was the process of being attracted to something good, true and simple. It is important to note that the way one is called is not important in the film but it is important that they both followed the call that they received. Without Eli, Solara would not have been in providence and without Solara; Eli would not have completed his task.
Solara’s character may clarify the concept of divine providence and how that develops into a calling but she also demonstrates how that developed calling turns into action. Her character demonstrates the process of coming to believe but also that faith without action is dead. If Eli heard the call and did not act on it, his faith would have been pointless. Solara enables Eli to find his destination and fulfill his call and then she continues forward within her own call. Instead of staying in the safety that Eli and she had found, she chose to walk back into the world. What good would her new understanding do had it stayed where the knowledge was safe and unneeded? Matthew 16:15 states “Go into the world and preach the gospel to all creation.” Solara never states her exact purpose but when asked to stay where she is safe, her reply is: “Thank you, but this is something I have to do.” In a world where apathy and instant gratification often defines the modern audience, Solara displays the message clearly: faith without action is dead.
Eli’s journey, Solara’s decision to follow Eli and her resolution to continue forward are essential premises that clarify the concept of God’s call in our lives for a modern audience. The film exemplifies the idea that the way the call arrives in our lives is not as important as following the call that we receive. The theological idea of a “call” is ancient but Book of Eli simplifies this idea for a modern audience. Just as our relationship with God and His will in our lives is in the forefront of Christianity so this film brings those concepts into view. Regardless of how the call comes, when it comes or who is listening the cultural understanding is that there is a call and that if we do not answer it the task will be left unfinished.